a5c7b9f00b The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father's disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 20 years. Along with Kevin's loyal confidant Quorra, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous. Meanwhile, the malevolent program CLU, who dominates the digital world, plans to invade the real world and will stop at nothing to prevent their escape.
Firstly, Tron Legacy does what very few films have managed to do since the introduction of the 3D "fad". Instead of excessively giving the viewers 3D imagery at every corner, it saves it for where it's needed, which definitely ads to the experience you'll get. In fact, I was so involved in the movie that when one of the characters shot a hook-like weapon, I flinched in my seat. The visuals of Legacy are definitely unlike that ever seen before. The bulk of the film will take place on a world known'The Grid', and everything in the grid is basically what the creator of the world imaginedinside a computer (that's a very skimmed explanation, there's a lot more to it then that.) Legacy even includes a few throwbacks to "Tron".<br/><br/>Outside of the technical aspects now. The story of Tron Legacy doesn't require you to see the original film (although it can be helpful). The beginning of the film does explain a few things, but other than the information given to you through the opening scene, nothing else is needed. Your instantly introduced to the main characters, and then introduced to the complexity that is Sam Flynn. Main shareholder in a million-dollar company, he yearly reminds the company of ENCOM who owns the place by playing what he calls "pranks".<br/><br/>As the film goes on, you are given a great blend of the most visually exciting action sequences, a bit of light comedy every now and then, and then the serious well-written story scenes. To top it all off, you've got a great soundtrack by Daft Punk in the background. While at some very rare points this does affect the mood, it's not something that will destroy the movie for you.<br/><br/>A very strong point legacy has is the wide variety of characters you'll see. The seemingly emotionless Sirens, to the eccentric Castor and then the warrior Quorra who wants to desperately see the world Sam lives in. All together, it's got a strong story (which you can't really explain even part of it without spoiling it), a great blend of styles, the most amazing visual effects ever seen in a movie, and strong actors playing very strong characters. and not to mention a truly magnificent soundtrack.
There was a point in TRON: Legacy where I stopped hearing what people were saying. I stopped following the story. It's like listening to Beethovien's 5th. You hear the music, but you're not listening to the words. The visual impact of the TRON world was so powerful, I just kept thinking…"When I visit Osaka, Japan again in 20 years, this is what it will look like." Let's hope they get the light cycles right.<br/><br/>I can hear the reviews already. "It makes no sense…the acting was wooden…the plot was thin…" If it please the court, to all the complaints I present Exhibit A in the form Ridley Scott's Blade Runner.<br/><br/>Blade Runner is a film which made an identity off a sort of Asian hybridization of downtown L.A.. It is that look that has immortalized Blade Runner. The atmosphere and the powerful use of light is what made Blade Runner last. Go back and watch it today – the deficiencies in story and characters and lack thereof plot were obvious in 1982 and still obvious today. It was hammered by critics, the acting was wooden, the script was awful and the plot was nonexistent. Today – it is considered a classic and by some an outright masterwork. So there is more to a film EXPERIENCE than a script with a calculated beginning, middle and end. TRON: Legacy is an experience on the same level. It takes you to a world you want to be real and for two hours – it is.<br/><br/>Speaking of Ridley Scott's 1982 mess of an opus, Daft Punk's resounding, if repetitive, score often recalls cues from the Vangelis score of Blade Runner. Justin that movie, the music in TRON: Legacy is equally entrenched in the experience. Heck, Kubrick knew what Aristotle knew – music can make drama. It's not a cheat, Star Wars is guiltysin if it is. If TRON, at its worst, is merely amusing, the Daft Punk score is simply tremendous.<br/><br/>TRON: Legacy isn't a film of ideas – it is a tour de force of light and sound. There really isn't any human drama here – fair enough, it does take place inside of a UNIX driven micro-world (I know there's other keyboard jockeys out there who saw GREP and WHOAMI pop up in the shell). Yep, this is pure geek pornography.<br/><br/>I could talk about the performances, and the story and all that, but I would spend more time doing so than the movie did. Don't go see TRON: Legacy for the story. If you learned anything from the first film, you would know that going into the theater on this one. The journalist in me cringes and aches for TRON to have a better story to tell. But the photographer, the dreamer and ultimately the moviegoer in me says they did this one just right. The first film was an exercise in powerful visual ideas held back by the limits of technology strung together by a story that made no sense. With the new TRON, they had the limits removed on the visual idea end of things, but the story still sucks.<br/><br/>Who cares.<br/><br/>Avatar had three hours of Jar Jar Binks clones and the most marshmallow fluff excuse for a story of any movie made in the past 20 years and it made two billion dollars. I'll go one step further. Conspiracy theory around all you want, the fact is, the Mona Lisa is a painting of an ugly woman that entrances every one who views her. TRON: Legacy is a masterpiece of a different kind which, despite the flat acting and nonexistent story, entrances the eye like no other movie I've seen in years.<br/><br/>Besides, Da Vinci was a hack – none of his paintings had light cycles.
On the heels of another revelatory turn in True Grit, Bridges is sensational again, here in a groundbreaking performance.
Tron is a security program created by Alan Bradley in the first Tron film. He has the appearance of his creator and user, Alan Bradley. It is a sequel that takes place in present time about 27 years from the first film and will continue the story of Kevin Flynn but takes place in a new Grid developed by Flynn in the late 1980s. Not crucial for understanding or enjoying Legacy, but recommended. The original TRON answers a few questions suchhow Flynn gained control of Encom, more backstory on himself, Alan Bradley and by extension Tron too; why Flynn was motivated to create such a world. It also explains why there just happens to be a laser pointed right at the chair that sends Sam into the digital world of TRON. It's called "Derezzed" by Daft Punk. The original Tron was an experimental production back in 1982, involving large amounts of work and created at great financial expense, but its box office success was considered to be moderate. However, over the next decade, the movie started to gather a cult following that did not go unnoticed. Disney had been floating a sequel around since the 1990s but it really started to solidify in 2008 when a teaser trailer, directed by Joseph Kosinski was screened to the audience at the San Diego ComicCon, where it was a huge hit. The trailer featured Jeff Bridges playing Flynn aged in real time and featured a light cycle race with the Clu programa rider resembling a young Jeff Bridges. After the teaser was shown, Disney decided to go ahead with an official sequel to Tron. Kevin Flynn (played by Jeff Bridges) had a software engineer for Encom computers in Tron before he was fired and ended up running his own video arcade called Flynn's. At the end of the original Tron, he became the CEO of Encom. Yes. The scenes involving him in the 1980s with his son Sam—and scenes of his computer counterpart Clu in the present day world of Tron—show Bridgeshis younger self via the magic of computer manipulation. The same technique (sometimes referred to"digital skin graft") had already been employed by the same studio or others, e.g. upon Patrick Stewart and Ian McKellen for X-Men: The Last Stand (2006), and Brad Pitt for The Curios Case of Benjamin Button (2008). Thereafter or more recently it was used upon Iain Glen for Resident Evil: The Final Chapter (2016). There are many examples. A related technique is that of digitally over-imposing a well-photographed version of an actor's face onto another performer,was the case for Arnold Schwarzenegger in Terminator Salvation (2009) and Terminator Genisys (2015), and for others: Hugo Weaving in The Matrix Reloaded (2003), Ian McDiarmid (only for a split second) in Revenge of the Sith (2005), Paul Walker (for unfinished scenes) in Furious 7 (2015), Robert Downey Jr. in Captain America: Civil War (2016), and the long-deceased Peter Cushing in Rogue One (2016). Either of the techniques and most likely the former was used for Kyle MacLachan in Agents of S.H.I.E.L.D. episode <a href="/title/tt4082656/">"The Things We Bury"</a> (2014). Clu 2 is a program based on Kevin Flynn's original Clu program from the first movie. Clu, in the first Tron was a program Kevin used to hack into programs. Clu resembled his user Kevin but spoke in a different voice. The original Clu was derezzed by the Master Control Program (MCP) in the original film. This film's new Clu is actually the program now running Flynn's own created world, called The Grid, and is the film's main antagonist. He was initially created by Flynna control program for the new version of the digital world, but turned on his creator. He is playing his human character of Alan Bradley. Although Tron appears unmasked only briefly in flashback and is hidden for most of the film by his helmet, they have used the same computer de-aging techniques to make Bruce look youngerthey have for Jeff Bridges' character of Clu 2. There is also a short flashback to 1989 showing a young computer de-aged Alan getting out of a car. Boxleitner also provides the voice for Tron. No, Cindy Morgan is not in the film and neither are the characters of Lora and Yori. She appearedLora Baines Bradley in an ARG (alternate reality game) Disney event at Wondercon 2010 in San Francisco and the character has been married to Alan Bradley/Tron in the TRON universe for over 20 years. Morgan performed a voiceover for the MA3A character in the TRON: 2.0 (2003) video game but she was not asked to be a part of Tron: Legacy, the new Tron: Evolution (2010) videogame or the animated TRON: Uprising (2012-2013) television series. Yes and they are updated. The light cycles are basically the same and are used in gladiatorial games like in the original Tron but they are now also used for transportation. The light stream that is ejected from the back of the bike is no longer limited to 90 degree angles it can know make arcs. The light cycles are activated around a program/user via a wand like device. A car version with two seats and four wheels called the Light Runner also makes an appearance, in addition to a jet. A light cycle based on the original design from the old Tron world can be found at Flynn's apartment, and is briefly used by his son. Interestingly enough, the retro light cycle in Tron: Legacy is not computer-generated and is a physical mock-up unlike the animated version in the original Tron. Yes. The Recognizers, vehicles originally created by Kevin Flynn for his game, "Space Paranoids", indeed are in the new movie with updated looks and advances just like the light cycles. It is short for de-resolution (and thus possibly spelled "de-res"), the cyber-world equivalent of death. When a program in Tron de-rezes, it ceases to exist. In Tron: Legacy, there is no MCP; at least nota character or personification. The original MCP was destroyed in Tron. Although there is no "Master Control Program" in the film, the character of Clu 2 was originally built for a similar purpose and plays the same role in the film. On a side note, an actual master control program is an operating system or its kernel, without which no regular programs can run. It may be that an MCP in the Tron universe is overwritten with replacement software that takes over its responsibilities and powers rather than actually destroyed. A new MCP takes over (with or without personification), in other words. Otherwise the term is a character-specific moniker. Yes. Flynn had the original Tron security program transferred to the new grid that he created. Because this is a new world not the one from the original movie but a different one created by Kevin Flynn in the late 1980s. This new TRON world is called the Grid, and has been running on a server hidden in Flynn's arcade, disconnected from the internet, gradually evolving over the course of 20 years. The basics still seem to be there suchthe light cycles, recognizers and solar sails. According to Joe Kosinski, The idea is that the Grid was created in the 1980s and evolved independent of the outside world. Syd Mead and Moebius' designs for the original Tron very much had an early 80s aesthetic, and it was fun to take these 1980s influences and evolve it forward within this particular world. (Source.) Except for Tron, we are never told the fate of the original world and its inhabitants, but if Encom kept some of their old servers, the original world might still exist. No, it is not, but that is due to the filmmaker's wishes. The "real world" footage is presented in 2D, and the "electronic world" footage is presented in 3D,per the filmmaker's intentions. A disclaimer clarifies this before the opening credits in the 3D versions of the film and advises that the audience put on their 3D glasses right then and there due to the Disney logo and the opening credits being presented in 3D. No to both. He's called Zuse, after computer pioneer Konrad Zuse. The exact way isn't fully explained but Quorra had Kevin Flynn's disk when she went through the portal, the very same disk that Clu was after the entire film. Clu wanted Flynn's disk to bring an army of programs to the real world. It is possible that the code on a user's disk is able, with the digitizer laser, to make a program into a flesh and blood human being justthe digitizer makes a human into a digital being. Also consider that Quorra is shown to have DNA (or a similar structure) and that Kevin Flynn believes the ISOs will have immense positive impact on humanity outside of the computer. Quorra is obviously not just a program but has human or humanoid characteristics that allowed her to be transported into the real world along with Sam. They were both within the beam after Sam releases his father's disk to transport himself back to the real world. Sam obviously is able to return; it is implied that Quorra is human enough to do sowell. Kevin created C.L.U. in order to help him make "the perfect world". When he reveals to C.L.U that the perfect world can't be created, C.L.U. no longer has a purpose. For C.L.U., a "perfect world" represents a world where everything has a goal, a purpose. If the perfect world cannot be created, C.L.U. becomes a useless program and therefore has no purpose. It may also be that C.L.U. feels that Flynn lied to him or betrayed him by giving him a directive that could never be fulfilled. Flynn, Sam and Quorra head towards the portal they are cut off by CLU. CLU then attacks Flynn and so Sam attempts to fight CLU but Quorra comes between them. Flynn tells CLU to remember what he came for (Flynn's user disk) and so CLU turns his attention back to Flynn, allowing Quorra and Sam to head for the portal. CLU takes Flynn's user disk and finds that Flynn switched his with Quorra's. CLU tries one last-ditch effort to enter the portal but Flynn pulls him back and then Flynn destroys CLU, CLU's war ship and army along with it and presumably himself. On the outside world, Sam takes a flash drive out of the machine and put it on a chain around his neck. It wasn't exactly clear what this was but we can assume he had backed up the system on this drive. As he goes to leave the arcade. Alan Bradley is waiting for him. Sam tells Alan that he is making Alan CEO of Encom and that Sam is taking control of the company. Lastly, Sam walks outside where Quorra is waiting for him. Sam says he wants to show her something, so he takes her for a ride to the cityshe takes in the world before her eyes. It's possible but not very likely. He sacrifices himself to save Kevin, Sam and Quorra, crashes into the ocean, and is seen sinking to the depths. The last we see is his red suit become the blueish white of the users. Because we never see him de-rez, he most likely has survived. Since these movies are called Tron, it's likely the title character will be around for the third outing. Since he was in the computer world when he supposedly died, it is really not known. The movies have never explored what would happen if a digitized human died in the computer. If Jeff Bridges decides to come back for the sequel, they will most likely think of a creative way to bring him back or explain that he was never dead to begin with. It's also entirely possible that Kevin Flynn will come back in another form in the computer totally unrelated to his digitized form. The "Discs of TRON" arcade cabinet is indeed in the film, seen when Sam kneels down to pick up his quarter after it drops out of the coin return of the TRON game in Flynn's arcade. However, if one looks carefully at the "Discs of TRON" cabinet in the film, they can spot the logo of Bally / Midway, the actual makers of the game, instead of the ENCOM logo, the in-film makers of the TRON game.
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